added
SPROING!
WHO • WHAT • WHY
New Noise Audio Post Production provides sound for Television, Feature Film, Corporate & Digital Media, Animation, Audiobooks, and Podcasts.
• Award-winning Sound Design, Mixing, Voiceover, ADR, Foley, Music Composition, Full Audio Post Production •
We specialize in zips, bangs, crashes, flops, footsteps, klonks, and rattles – scary or silly!
nois•o•lo•gist
/ˈnoizē äləjəst/
• the maker or given to making a lot of noise.
• manipulator of random fluctuations of sound waves
ROBB WENNER
LEAD NOISOLOGIST
Robb Wenner has worked in the Audio Production community for over 30 years as an audio engineer/mixer, sound designer, composer, and educator.
Wenner has provided audio post-production services for a number of major studios and independent feature films, television, and multimedia titles including a majority of animation legend Chuck Jones’ later productions including the Warner Brothers Web-based Timberwolf series, theatrical film releases Chariots of Fur, Another Froggy Evening and Superior Duck as well as animated segments for Mrs. Doubtfire and Stay Tuned.
Robb has produced music and sound design for numerous funny and not-so-funny Television and Radio commercial spots for clients such as Home Depot, Oscar Meyer, and ServPro.
Robb’s love of sound (noise) started at an early age when he started messing around with his father’s Wollensak reel-to-reel tape recorder. He knew he was onto something when he came up with funny noises that would make milk come out of his sister’s nose when she laughed.
WHAT WE DO
Sound Design, Foley, Dialogue Editorial, ADR, Music Composition, Re-Recording Mix and MORE...
WHAT WE USE
AVID Pro Tools Ultimate, Apple Logic, Steinberg Nuendo, Izotope RX, Waves, Krotos, Spitfire, Soundly and and MUCH MORE...
WHAT WE'VE DONE
Audio Post for Films, Television, Commercials, Video Games, Interactive books, Podcasts and Amusement Park Rides.
What Does Foley Add to the Story?
A complete Foley track consists of character’s footsteps, cloth movements and any prop or object the character may use within a scene.
It’s more than just your mic
The quality of your audio can make or break your show. How to improve the quality of sound recordings and tackle common acoustic problems.